WWIII – WWIII

WWIIII adore this 1990 album by WWIII, but it is not for everybody … or even most people.  Essentially, this WWIII debut is a heavy metal / hair metal / hard rock hybrid.  It is simple music that could have passed unnoticed had not the performers mercilessly beat the shit out of it.
Mandy Lion is the lead singer of WWIII, and I can safely say most people won’t like his vocals.  His timbre has the gravel of Lemmy and post-Iron Maiden Di’Anno, and his shrieks compare to those of Manowar’s Eric Adams as well as the pig squeals of Udo, but Lion’s overdone dramatics— the cartoonish “evilness” of his persona— is truly bonkers, and likely something most people would make fun of.  So yeah, if you combined Lemmy, Di’Anno, Udo and Eric Adams into one guy and then had a devil vampire bite him, you’d get Mandy Lion.  I know this sounds ridiculous, and he definitely is.  But the fire coming off of him and his many different modes of singing are terrific.  Moreover, he comes up with some great musical refrains in songs like “The Cage” and “The Harder They Come” and other times, sells a chorus with the incredible delivery of a simple idea “Love You to Death” and “Time for Terror.”
If you like what Many Lion does, you’ll also be faced with the choice of 1. Ignoring the idiotic lyrics  2. Embracing the idiotic lyrics.  I choose the latter, since this entire album is excessively excessive and the macho posturing (in clumsy English) is yet another obscene layer to this thing.   Example: “The harder they come, the harder I get… I never ever had a problem yet.  Hey baby wanna place your bet?”  So yeah … um … poetry.
Vinny Appice, the greatest drummer in the history of mankind, is the other performer operating at 500% on this album.  His work on Black Sabbath’s best album Mob Rules (esp. “Sign of the Southern Cross”) and the first four Dio albums (esp. “Rock and Roll Children,” “Holy Diver,” and “When a Woman Cries”) is the most flavorful, powerful and emotive drumming ever.  None of these songs would be nearly as good with regular beats.  WWIII comes right on the heels of this great body of work and Vinny throws boulders, slams doors, and stomps buildings relentlessly.  Compare the drumming in “I Love You To Death” to Dio’s “Don’t Talk to Strangers” to see how Vinny builds (and delivers) crescendoes.  His kit sounds massive and the performance is a river of thuds, accents, and interesting syncopation that enrich the world.  Hail to the master.
Guitarist Tracy G (later in Dio as well) plays some simple and noisy riffs or open chord progressions that straddle the fence of metal / hard rock— nothing too complex here.  Oftentimes, he’s more interested in playing a noisy variation of the hook than the hook itself, but you already heard it some, so why bother to play it “right”?  His loose approach often approximates that of a veteran guitarist that has played a song live for decades and is just sort of riffing on his music — hinting at it — so that the crowd can recognize it and applaud.  And yes, this seems like an odd approach on a debut album, but Tracy G’s riffing has a nice live electricity throughout the album, and when he solos, he can really deliver— the lead in “Love You To Death” is certainly Vivian Cambell caliber stuff.
A couple of duds keep this album from unwieldy and cantankerous perfection— “Atomic Sex Appeal” and “Call Me Devil” are forced even by the standards of a band that forces everything—but most of the album is good or great stuff.
It is doubtful that most people (including you) will be able to handle the megaton of pounding, shrieking, screeching, ugly awesomeness that WWIII delivers on this disk, but check it out if you want to experience the most hideous and savage variation of hair metal ever conceived. -S. Craig Zahler
Hollywood Records

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~ by martyworm on October 2, 2013.

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